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History of France --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Paris --- Middle class --- History. --- France --- Paris (France) --- History
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History of the United Kingdom and Ireland --- anno 1700-1799 --- anno 1800-1999 --- Great Britain --- Commerce --- History --- Colonies --- History.
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Choreography and Narrative traces development of the story ballet from the early - eighteenth-century fair theatres through the Revolutionary fetes to the well-known Romantic ballets La Sulphide and Giselle. This history charts ballet's separation from opera at mid-century and its emergence as an autonomous art form dedicated to the telling of a story through gesture and movement alone. The site for this historical inquiry is Paris, home to the most popular and lavish dance productions of the eighteenth and early nineteenth centuries. The ballet is analyzed in terms of the training procedures for dancers, the aesthetic goals and responsibilities of choreographers, the institutional frameworks that promote productions, and the expectations and pleasures of dance viewers. Throughout, ballet is approached as a cultural practice intimately connected with political and economic features of French society, a practice whose evolving form bears witness to, as it participates in, the sweeping social changes of the eighteenth and early nineteenth centuries. To uncover the significance of ballet, Choreography and Narrative compares the dancing body with the body as constructed in social dance practices, and also in anatomy, etiquette, painting, acting, and physical education. Choreography is considered as a theorizing of embodiment, one which reflects on the individual, gendered, and social identities of those who dance and those who watch dancing.
Recreation. Games. Sports. Corp. expression --- anno 1700-1799 --- anno 1800-1899 --- France --- Ballet --- Choreography --- Chorégraphie --- History --- Histoire --- Chorégraphie --- History.
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Literature --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1999 --- Littérature --- Stories, plots, etc --- Histoires, intrigues, etc --- Fiction --- Dictionaries --- Bibliography --- Littérature --- Fiction - Dictionaries --- Fiction - Bibliography
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Social sciences (general) --- anno 1700-1799 --- anno 1800-1999 --- Behavioral sciences --- Science sociale --- Sciences [Social ] --- Sciences sociales --- Social science --- Social sciences --- Social studies --- Sociale wetenschap --- Sociale wetenschappen --- Philosophy
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Art styles --- Aesthetics of art --- anno 1700-1799 --- anno 1800-1899 --- Europe --- Arts, European --- Neoclassicism (Art) --- Romanticism in art --- Ut pictura poesis (Aesthetics) --- Ut pictura poesis (Aesthetics).
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Poetry --- German literature --- Fiction --- Drama --- anno 1700-1799 --- anno 1600-1699 --- Enlightenment --- History and criticism --- Enlightenment - Germany --- German literature - 18th century - History and criticism
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History of the Netherlands --- anno 1700-1799 --- anno 1800-1899 --- Netherlands --- History --- Nederland. --- Netherlands - History - 1714-1795 --- Netherlands - History - 1795-1815 --- Netherlands - History - 1815-1830
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Theatrical science --- operagebouwen --- operagezelschappen --- Koninklijke Muntschouwburg [Brussel] --- anno 1700-1799 --- Brussels --- Théâtre Royal de la Monnaie --- History --- Theater --- Théâtre --- Histoire --- Théâtre royal de la Monnaie. --- La Monnaie [Brussels] --- Bruxelles --- Théâtre, histoire
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To be one of "the middling sort" in urban England in the late seventeenth or eighteenth century was to live a life tied, one way or another, to the world of commerce. In a lively study that combines narrative and alternately poignant and hilarious anecdotes with convincing analysis, Margaret R. Hunt offers a view of middling society during the hundred years that separated the Glorious Revolution from the factory age. Thanks to her exploration of many family papers and court records, Hunt is able to examine what people thought, felt, and valued. She finds that early capitalism and early modern family life were far more insecure than their "classical" models supposed.
History of the United Kingdom and Ireland --- anno 1600-1699 --- anno 1700-1799 --- Middle class families --- Middle class --- History --- -Middle class --- -Middle class families --- -Families --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Social classes --- -History --- -Social conditions --- Families --- Social conditions
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